Showing posts with label rajesh. Show all posts
Showing posts with label rajesh. Show all posts
You know what to expect when there is the firecracker Santhanam and the rather unsuspectingly coy looking Arya in the scheme of things. Absolute time pass without a doubt. Riding high on his SMS feat (or so he assumes since the promos of Boss… had highlighted his earlier movie so as to give Boss the required push), Boss must have been a piece of cake for director Rajesh. He keeps his promise - comical relief - and the rest of the movie’s features, other than the dialogues, are really of insignificant nature, which could prove to be a toss-up.
A good start is half the job done and Rajesh seems to have concentrated real hard on the dialogues. As a result, the hollow screenplay is tactfully saved from plunging into the depths of action-less monotony. Although the movie stretches itself without any effort by the sheer success of the dialogues, Santhanam’s spontaneity stands out in the process and it renders the movie a definite thrust.
Arya is an innocuous young man who is also spoilt. He’s not loose cannon but thanks to his mother’s unhindered love, he slacks in his studies reappearing in exams after arrear exams without any demonstrated success. His brother, played by Subbu Panju - Panju Arunachalam’s son, earns enough to run the family and hence Arya needs only half a reason to take advantage of the situation. He eventually falls for the cupid’s bait and falls hook, line and sinker for Nayan – sister of his newly married brother’s wife.
But to ask Nayan’s hand in marriage, he needs to prove himself in life. So begins Arya’s journey for the greater good – his own wedding.
As is evident from the storyline, the movie has no scope for interesting twists to keep the viewer engaged for the most part. So the deficit is compensated in the name of dialogues and interesting comical sequences. Sample this: Arya walks out of his home after being reprimanded by his brother. It rains outside and while Arya walks away, his brother brings an umbrella. Arya, in the hope that his brother is coming to get him home, refuses to go home. On the other hand, his brother tells him, “Don’t come back home for the lack of an umbrella. Here it is.” Scenes like this do work and keep the narrative from sagging.
The smoky eyed Arya is at ease with himself and if not for his recurrent toothy smile, he risks looking doped. The once exuberant Nayan looks overworked and dead beat. But she makes it up in the song sequences, particularly in the songs Yaar Antha Penthan and Mama Mama. Speaking of which, Yuvan’s those two songs stand out while the rest are passé.
Santhanam is a riot and if there’s a full paisa vasool feeling after you watch this movie, attribute it to him. His wisecracks, one-liners with and without intended puns and the constant ‘Nanbenda’ are takeaways in what would have otherwise been a bland fare of mushy romance. Not many jokes in this fare fall flat, which shows the good writing.
Director Rajesh might just pull it off this time too because he’s got everything right for a comic caper. He also efficiently camouflages the saggy little portions in both the halves of his movie with crisply written dialogues. Perfect for a weekend in which you decide not to give your brain much work.
Verdict – Comedy is the boss!
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A good start is half the job done and Rajesh seems to have concentrated real hard on the dialogues. As a result, the hollow screenplay is tactfully saved from plunging into the depths of action-less monotony. Although the movie stretches itself without any effort by the sheer success of the dialogues, Santhanam’s spontaneity stands out in the process and it renders the movie a definite thrust.
Arya is an innocuous young man who is also spoilt. He’s not loose cannon but thanks to his mother’s unhindered love, he slacks in his studies reappearing in exams after arrear exams without any demonstrated success. His brother, played by Subbu Panju - Panju Arunachalam’s son, earns enough to run the family and hence Arya needs only half a reason to take advantage of the situation. He eventually falls for the cupid’s bait and falls hook, line and sinker for Nayan – sister of his newly married brother’s wife.
But to ask Nayan’s hand in marriage, he needs to prove himself in life. So begins Arya’s journey for the greater good – his own wedding.
As is evident from the storyline, the movie has no scope for interesting twists to keep the viewer engaged for the most part. So the deficit is compensated in the name of dialogues and interesting comical sequences. Sample this: Arya walks out of his home after being reprimanded by his brother. It rains outside and while Arya walks away, his brother brings an umbrella. Arya, in the hope that his brother is coming to get him home, refuses to go home. On the other hand, his brother tells him, “Don’t come back home for the lack of an umbrella. Here it is.” Scenes like this do work and keep the narrative from sagging.
The smoky eyed Arya is at ease with himself and if not for his recurrent toothy smile, he risks looking doped. The once exuberant Nayan looks overworked and dead beat. But she makes it up in the song sequences, particularly in the songs Yaar Antha Penthan and Mama Mama. Speaking of which, Yuvan’s those two songs stand out while the rest are passé.
Santhanam is a riot and if there’s a full paisa vasool feeling after you watch this movie, attribute it to him. His wisecracks, one-liners with and without intended puns and the constant ‘Nanbenda’ are takeaways in what would have otherwise been a bland fare of mushy romance. Not many jokes in this fare fall flat, which shows the good writing.
Director Rajesh might just pull it off this time too because he’s got everything right for a comic caper. He also efficiently camouflages the saggy little portions in both the halves of his movie with crisply written dialogues. Perfect for a weekend in which you decide not to give your brain much work.
Thursday, September 9, 2010
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Labels:
arya,
Boss Engira Baskaran,
Boss Engira Baskaran review,
Nayanthara,
rajesh,
santhanam,
Yuvan Shankar Raja
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comments
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Director M. Rajesh, whose first project Siva Manasula Sakthi (SMS), grabbed the attention of one and all was a feel-good entertainer. SMS went on to score well in the box office too. The trailer and promos of Boss Engira Baskaran is quiet interesting to watch and has already caught the attention of audience. The trailer also reveals that this would be a laugh riot too with Santhanam tagging alongside Arya.
Boss Engira Baskaran is produced by K.S. Sreenivasan's Vasan Visual Ventures which also produced Naan Kadavul, again with Arya in the lead. Nayanthara is the heroine in BEB with Santhanam as Boss' 'Nanbenda' in the movie. Sakthi Saravanan has filmed the movie and Yuvan Shankar Raja has scored the music.
Boss Engira Baskaran is produced by K.S. Sreenivasan's Vasan Visual Ventures which also produced Naan Kadavul, again with Arya in the lead. Nayanthara is the heroine in BEB with Santhanam as Boss' 'Nanbenda' in the movie. Sakthi Saravanan has filmed the movie and Yuvan Shankar Raja has scored the music.
Rajesh promises that BEB would be more hilarious than SMS. Arya who is shaping up well as a versatile artist, is a happy-go-lucky person in the movie. He takes everything lightly and does not make a fuss about anything. So much so that he falls in love only with his lecturers and married women - for fun. Tired of his antics, his family asks him to go out of the house. Arya meets Nayan, falls in love. Does he marry Nayan? Does he change for good or is fun the way for him? BEB would answer all your questions without forgetting to make you laugh.
Arya stars with Nayanthara for the first time in his career. His role in the recent smash-hit Madarapattinam was widely appreciated. It would be interesting to see him act in a different shade though he has already done funny and comical roles in Arindhum Ariyaamalum and Oram Po. Nayanthara can be seen on the silver screen after a hiatus. Her last movie in Tamil was Aadhavan though we saw her in a small cameo in Goa. She would be keeping her fingers crossed to make a comeback in Tamil.
Yuvan Shankar Raja has scored the music for the movie and has given some chartbusters. The film has five songs with attractive voices and music. The audio for BEB was launched on August 27, 2010 at Sathyam Cinemas. The lyrics have been penned by Na. Muthukumar. Sakthi Saravanan who worked with Rajesh in SMS has taken care of the cinematography department.
As the film's backdrop is set to be both village and city, the film has been shot at various locations including Thanjavur, Mysore and Trichy. A major part of the film was filmed at Kumbakonam, while a few scenes were shot in Chennai as well. Shooting was also carried on in the Swiss Alps, where some song sequences were picturized.
While Vasan Visual Ventures produced this film, Arya purchased the rights to release it under his own production banner 'The Show People'. The film's distribution rights, however, were again acquired by Red Giant Movies, led by Udhayanidhi Stalin. It is interesting to note here that Udayanidhi Stalin would be the hero of Rajesh's next movie.
With a star studded cast, a star technical crew and a promising director, BEB certainly has raised expectations among cine-goers. Fans of Nayanthara would surely cherish seeing her on screen after a long time. With Bale Pandiya having a decent opening and Drohi releasing on the same date, BEB can only charm everyone if Rajesh has struck the right chord. Good luck Boss!
P.S: Jeeva, who was Rajesh's first hero, would be doing a cameo in BEB.
Yuvan Shankar Raja has scored the music for the movie and has given some chartbusters. The film has five songs with attractive voices and music. The audio for BEB was launched on August 27, 2010 at Sathyam Cinemas. The lyrics have been penned by Na. Muthukumar. Sakthi Saravanan who worked with Rajesh in SMS has taken care of the cinematography department.
As the film's backdrop is set to be both village and city, the film has been shot at various locations including Thanjavur, Mysore and Trichy. A major part of the film was filmed at Kumbakonam, while a few scenes were shot in Chennai as well. Shooting was also carried on in the Swiss Alps, where some song sequences were picturized.
While Vasan Visual Ventures produced this film, Arya purchased the rights to release it under his own production banner 'The Show People'. The film's distribution rights, however, were again acquired by Red Giant Movies, led by Udhayanidhi Stalin. It is interesting to note here that Udayanidhi Stalin would be the hero of Rajesh's next movie.
With a star studded cast, a star technical crew and a promising director, BEB certainly has raised expectations among cine-goers. Fans of Nayanthara would surely cherish seeing her on screen after a long time. With Bale Pandiya having a decent opening and Drohi releasing on the same date, BEB can only charm everyone if Rajesh has struck the right chord. Good luck Boss!
P.S: Jeeva, who was Rajesh's first hero, would be doing a cameo in BEB.
Tuesday, September 7, 2010
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Labels:
arya,
Boss Engira Baskaran,
Nayanthara,
rajesh,
santhanam,
Yuvan Shankar Raja
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comments
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Ever since debutant Rajesh made a wholesome entertainer Siva Manasula Sakthi, the film buffs started looking out for the release of his next movie.
The film's trailer was screened along with yesterday's release Vamsam. The 2 minute trailer was enough to keep the audiences elated as the major portions had funny liners of Arya and Santhanam.
There happens to be a sequence where Santhanam says, "It's really difficult to walk such a long distance to get a loan sanctioned", for which Arya replies, "Just imagine, how many time the lender will walk to our places after giving us loan".
Boss Engira Bhaskaran has Nayanthara performing the female lead role while Jeeva is expected to make a cameo appearance.
Yuvan Shankar Raja has scored music and Sakthi Saravanan has handled cinematography.
Watch Boss Engira Bhaskaran Trailer :
Tuesday, August 17, 2010
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Labels:
arya,
Boss Engira Bhaskaran Trailer,
nayanthar,
rajesh,
santhanam
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